The composer and field recordist draws on a painterly sensibility to layer loops and samples into documentary narratives that are startling, funny and human. Photography by Ashley Markle Poised over a laptop at a recent Cafe Oto show in London, Vanessa Rossetto pulls up spliced… Read More
All posts filed under “Interview”
Something Bigger Than Us: An Interview with Saagara
Ilia Rogatchevski speaks to Polish multi-instrumentalist Wacław Zimpel and master ghatam player Giridhar Udupa about their parallel journeys through music, and their combination as “interstellar folk” project Saagara. Photo by Rakesh Maiya. In the first few seconds of ‘God Of Bangalore’, the track that opens… Read More
Signal To Noise Ratio: Simon Fisher Turner Interviewed
Ilia Rogatchevski speaks to the child star turned artist, musician and composer about his excellent new album Instability Of The Signal and his many collaborations with Derek Jarman. Portraits by Marta Ruly On a torrid June morning, I’m invited to speak with Simon Fisher Turner… Read More
The breath is the body: an interview with Keeley Forsyth
Ahead of a full performance of her new album The Hollow at London ICA, actor and artist Keeley Forsyth talks to Ilia Rogatchevski about Pina Bausch, Béla Tarr, genderless vocals, and perceiving the world as light and shade Keeley Forsyth’s third album The Hollow explores the essence of solitude… Read More
Scoring the overlooked: an interview with Eiko Ishibashi
Ahead of the release of her soundtrack for Ryûsuke Hamaguchi’s new film Evil Does Not Exist, Japanese musician Eiko Ishibashi talks to Ilia Rogatchevski about influential composer director partnerships and her own approaches to scoring film. Photo: Eiko Ishibashi in Hokuto, Japan, October 2018, The Wire… Read More
Deep Listening w/ Blanc Sceol
In my latest podcast for audio.com I talked to Blanc Sceol, the London based sound art duo of Stephen Shiell and Hannah White. Stephen and Hannah work together across disciplines, incorporating field recording, intervention, voice, acoustic ecology and instrument building. They often focus on participatory… Read More
“Everyone was afraid, not only the musicians”
The underground music veteran Mihály Víg looks back on Hungary’s Soviet-era scene.Image: Balaton’s Károly Hunyadi (left) and Mihály Víg in Budapest, 1980s. Photograph by János Vetö Outside of his native Hungary, Mihály Víg is best known as a soundtrack composer. His work is closely associated… Read More
Misantrop Interviewed: Reproaching the Absurd
Text and interview by Ilia Rogatchevski.Photos by George Nebieridze. Ilia Rogatchevski speaks with Berlin-based producer Misantrop about their new album Reproaching the Absurd, which is out now on Opal Tapes. The artist discusses their writing process and talks about how night life, collaborations and musicology inform their… Read More
Flowers Through Concrete: Explorations In Soviet Hippieland
Photo: Hippies at their summer camp in Vitrupe, Latvia, 1978 (Photo courtesy Archive G Zaitsev, The Wende Museum, Los Angeles) Ilia Rogatchevski speaks with historian Juliane Fürst about her new history of Soviet hippies and the counterculture of the former USSR. Juliane Fürst is a… Read More
Monumental Doom
Molchat Doma: (from left) Roman Komogortsev, Egor Shkutko, Pavel KozlovPhoto: Stas Kard The dark synth poetics of Belarusian group Molchat Doma transcend language barriers “Minsk is very much a post-Soviet city, with its gloomy panel highrises. It was in this atmosphere that we thought to… Read More









